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Day 4

Non-Fiction

Witty and textured French romance comedy from director Olivier Assayas (Clouds of Sils Maria, Personal Shopper) that delves into the philosophy of 21st century publishing and the mundane lives of publishers and writers as they navigate their relational baggage and use their lives as source material for auto-fictions.

The film is a two-hour discussion and will likely lose most people who refuse to think about the subject of modern-day publishing for the two uncompromising hours, but the lives of the actors met with the clever writing in Non-Fiction will please fans of Woody Allen and Noah Baumbach.

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RATING: B-

The Favourite

The new one from Yorgos Lanthimos fails in his usual pattern: cowardly writing consummating in unfulfilled potential. Crude and boorish throughout, the centerfold of toxic femininity finds a love triangle of conniving female heroines equipped with the weapons of dissimulation as they “reduce their male counterparts to disposable extras.” If you switch the genders, no critic will embrace this film and yet, with the first 17 reviews, the critics have gone their usual way of uniform double-standard that will likely hand this film the screenplay Oscar. Gorging on the bakery of their ideological self-importance without a note of self-awareness, the critics remain aloof and unchanged in their ideological peddling.

That said, the film is beautifully shot — with impressive production and costume design, and a setting at Hatfield House deserving of a Yorgos extravagance. The fisheye lens filming worked sporadically, but should have been used more sparingly to retain some of its novelty. The lighting was exceptional especially in the latter moments where Emma Stone is on her last leg of sanity. But for the script, the period piece could have been worth the time given its stunning visual and sound. For those embracing the mantra that the “future is female” will take to The Favourite the way frat boys take to Quentin Tarantino.

Favourite.jpg

RATING: C+

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Mati Diop’s feature directorial debut “Atlantics” and Jérémy Clapin’s animated favorite “I Lost My Body” have both been acquired by #Netflix following wins at #CannesFilmFestival.⁣ ⁣ “Atlantics” was awarded the grand prix while “I Lost My Body” was voted the best film at the independent International Critics Week." ⁣⁣⁣⁣⁣⁣⁣ ⁣⁣ 📑 | SOURCE:⁣ @variety⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ #film #films #movie #movies #cinema #hollywood #entertainment #celebrity #celebrities #cinephile #filmnews #drama #action #horror #filmcritic #oldhollywood #newhollywood #indies #indiefilms #studio #boxoffice #pop #popstar #entertainment #filmhistory #netflixmovies #netflixandchill
Kechiche (“Blue is the Warmest Color”) in hot water for another prolonged sex scene, last time it got him the Palme D’Or. Not sure how this film got through the @festivaldecannes selection process, but gratuitous sex scenes in LGBT (vs straight films) have continuously been rewarded (e.g. “God’s Own Country,” “120 Beats Per Minute,” “Weekend”). ⁣⁣ 📑 | SOURCE:⁣ @indiewire⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ #film #films #movie #movies #cinema #hollywood #entertainment #celebrity #celebrities #cinephile #filmnews #drama #action #horror #filmcritic #oldhollywood #newhollywood #indies #indiefilms #studio #boxoffice #pop #popstar #entertainment #filmhistory #LGBT #gayfilms #cannesfilmfestival
Cannes has awarded their top prize to the brilliant South Korean director, Joon-ho Bong (“The Host,” “Mother,” “Snowpiercer”): a first for the country. ⁣ Back to back years the East takes the Palme d’Or; and deservingly so, with how brilliant the Korean and Chinese new waves have been. Hopefully more from Japan and Hirokazu Kore-eda to come. ⁣ This is exciting time to be a movie fan. ⁣⁣⁣⁣⁣⁣⁣ ⁣⁣ 📑 | SOURCE:⁣ @festivaldecannes ⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ #film #films #movie #movies #cinema #hollywood #entertainment #celebrity #celebrities #cinephile #filmnews #drama #action #horror #filmcritic #oldhollywood #newhollywood #indies #newwave #pop #popstar #entertainment #filmhistory #briancranston #network #msm #news #media #bias #cannesfilmfestival #koreancinema
CRANSTON ON BROADWAY: “I think the point of 'Network' is not to put yourself in any kind of tribalistic, ideological camp, to allow yourself to open up, to receive different ideas from all different sources and make up your own mind." ⁣⁣⁣⁣⁣⁣⁣ ⁣⁣ For some semblance of hearing both sides, check out The Flip Side newsletter (https://www.theflipside.io/).⁣ ⁣ 📑 | SOURCE:⁣ @cbsnews⁣⁣ ⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣⁣ #film #films #movie #movies #cinema #hollywood #entertainment #celebrity #celebrities #cinephile #filmnews #drama #action #horror #filmcritic #oldhollywood #newhollywood #indies #indiefilms #studio #boxoffice #pop #popstar #entertainment #filmhistory #briancranston #network #msm #news #media #bias
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